tom jones director's cut

Interestingly, neither director Richardson (who died of AIDS in 1991) nor star Albert Finney was terribly pleased with the film. 6.2 sec .

And, yet, Tom Jones was a critical and commercial smash, winning Academy Awards for Best Picture, Best Director (Tony Richardson), Best Score (John Addison), and Best (Adapted) Screenplay (John Osborne), as well as nominations for Best Actor (Albert Finney) and four of its supporting cast (Hugh Griffith, Diane Cilento, Edith Evans, and Joyce Redman). 2 of 2. to the start : 43:45 / 47:51-47:56 More swearing by Squire Western: "(Or a crawler) around one of those damned German kings, as I'm given to believe some people are." One reason, surely, was that it deftly balances a kind of classiness with singularly British sauciness mainstream American audiences found palatable. Supplements include featurettes on the film's cinematography; a new interview with film scholar Duncan Petrie on the film's place in British cinema; an excerpt from a 1982

By KIRK HONEYCUTT While I admired parts of it, it still strikes me as not very good, especially when compared with the so many wonderful British comedies that came immediately before and after it. Tom Jones. His love for Sophie isn't believable and except for the seduction scenes with the various women, Finney has little to work with. I, myself, only got to see the Director's Cut and couldn't get with it. John Addison's harpsichord-dominated score is undeniably sprightly, but it much too aggressively cues the audience with its preciousness. The first disc then closes with Reediting “Tom Jones” featuring Robert Lambert, who helped Tony Richardson with the director’s cut.

Although I was always going to pick up Criterion's Tom Jones, it was to give this film its second chance. Synopsis: In the early 1960s, at the height of the British New Wave, director Tony Richardson and playwright John Osborne set out for more fanciful territory than the gritty realism of the movement they’d helped establish. Another reason, I suspect, is that audiences in America had limited widespread exposure to British comedies prior to A little steamier and playful that you’d expect, but to a Brit, it’s an early template for what the Some may find the film a little frivolous, the lead being somewhat lacking in depth, some sequences having a Benny Hill feel to them, breaking the fourth wall and adding to the whimsy. Rich and natural colors, good contrast, and an authentic grain throughout. Comparison: Director's Cut; Theatrical Version; Release: Jun 18, 2018 - Author: Muck47 - Translator: Tony Montana - external link: IMDB.

What a relief to know that haineshisway, and others upon this thread, found the Director's Cut was not on par to the original.

Why? 4.6 sec . On several occasions characters "break the fourth wall," which seems counterproductive to the period verisimilitude it tries so hard to establish. There seems to be endless interest in the British period drama on these American shores, with portrayals of an age of elaborate dress and societal codes, manners and melodrama. Comparison: Director's Cut; Theatrical Version; Release: Jun 18, 2018 - Author: Muck47 - Translator: Tony Montana - external link: IMDB. 02:39 / 02:39-02:45 Subsequent to the text "who is the father Jenny?

The new "Tom Jones" is a director's cut made by Mr. Richardson, who died in November, for a theatrical re-release in 1989. Finney, on the other hand, quite rightly felt the part wasn't serious enough, that he "was being used," and indeed the character of Tom Jones is paper-thin. A Revamped ‘Tom Jones’ Romps Again : Movies: Director Tony Richardson welcomes the opportunity to fine-tune a film he made 25 years ago.

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