kengo kuma biography

Collaborating with Japanese craftsmen specialized in wood, earth or paper, he helped maintaining the associated building techniques while modernizing them, bringing his know-how in modularity. Instead his work surprises the eye by slimming down and dissolving the walls in an effort to express a certain “lightness” and immateriality, suggesting an illusion of ambiguity and weakness not common to the solidity of stone construction.In parallel, Kuma showed material innovation to support local traditional craftsmanship through his works. He utilizes technological advancements which can challenge unexpected materials, such as stone, into providing the same sense of lightness and softness as glass or wood. He has his own practice known as Kengo Kuma and Associates, and is also a prolific writer with his books published in several languages. After going to Eiko Gakuen junior and senior high schools he joined University of Tokyo and graduated in 1979. Its activities include participation in architectural design competitions, organization and management of regional and international design workshop, joint research with other departments at the University of Tokyo, and research and proposal to aid the recovery from the Edited by Salvator-John A Liotta and Matteo Belfiore.

Kengo Kuma is one of the most prominent Japanese architects. In 1997, he won the Although remaining in continuity with Japanese traditions with the clarity of structural solutions, implied tectonics, and importance of light and transparency, Kuma does not restrain himself to the banal and superficial use of ‘light’ materials. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.” In many of Kuma’s projects, attention is focused on the connection spaces; on the segments between inside and outside, and one room to the next.

I think my architecture is some kind of frame of nature. The exterior stone work is made light and airy by cutting each stone into thin slices and bracing each slice as a pivoting panel. After doing his bachelors Kuma worked at Nihon Sekkei and TODA Corporation for some time and then shifted to New York to enroll at Columbia University as a visiting researcher from 1985 to 1986. The place is a result of nature and time; this is the most important aspect. In this way, the heavy quality of stone is diluted and provides the eye with an illusion of lightness, allowing light and air directly into the space within. Kengo Kuma (隈 研吾, Kuma Kengo, born 1954) is a Japanese architect and professor in the Department of Architecture (Graduate School of Engineering) at the University of Tokyo. Instead, he goes much deeper, extending to the mechanisms of composition to expand the possibilities of materiality. Floornature is an international design and architecture portal with a focus on contemporary architecture, exclusive interviews with great masters of international architecture and the most interesting new developments in the world of architecture.Il nostro sito web utilizza i cookie per assicurarti la migliore esperienza di navigazione.Stay in touch with the protagonists of architecture, Subscribe to the Floornature Newsletter Recognized as one of the masters of contextual architecture, Kengo Kuma is also one of the most important representatives of Japan on contemporary architectural scene, often associated — despite several differences — to Tadao Ando, Toyo Ito, Shigeru Ban or Sou Fujimoto. The structure, composed of aluminum panels joined using Kangou technique, can be used as a teahouse or a space of meditation.Kuma Lab is a Research Laboratory headed by Kuma based in the Department of Architecture, Faculty of Engineering at the Its research topics consist of a comprehensive survey of architectural, urban, community, landscape, and product designs; survey of structural, material, and mechanical designs; and methodology for bridging sustainable, physical, and information designs. Kuma attempts to attain a sense of spatial immateriality as a consequence of the ‘particulate nature’ of the light and establishing a relationship between a space and the natural roundDescribing his practice, Kuma said “You could say that my aim is ‘to recover the place’. Floornature.com is not considered a newspaper as it is not updated at periodic intervals, and is therefore not a publication subject to the provisions of art. When dealing with stone work, for example, Kuma displays a different character from the preexisting buildings of solid, heavy, traditional masonry construction.

He was born on August 8, 1956 in Yokohama, Japan. He is also a professor at the University of Tokyo graduate school of architecture.

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